Hastatanta, handloom, is woven in almost every corner of Odisha, and each region has its own cloth: tie-dyed ikat in the west, temple borders in Ganjam, silk for Jagannath near Cuttack, and in Koraput district a cotton dyed red-brown with the root of a tree. Here is what each region weaves and how to tell them apart.

Odia word
Hastatanta (handloom)
Tie-dye weave
Bandha, or ikat
Koraput's weave
Kotpad, natural dyes
GI-tagged
Kotpad, Sambalpuri, Bomkai and more

The weaves at a glance

Bandha: the pattern is dyed before the weaving

Bundles of tied and dyed yarn hanging to dry in a weaving village (AI image)
Bandha yarn, tied and dyed in sections, drying before it goes on the loom. AI image.

Much of Odisha's handloom is bandha, the Odia word for ikat. Before anything goes on the loom, bundles of yarn are tied tightly in places and dipped in dye, so the tied parts stay undyed; tying and dyeing again builds up the colours. When the threads are woven, the pattern appears. Because every thread carries its share of the design, the edges look slightly feathered, and the back of the cloth shows the same pattern as the front.

When only one set of threads is dyed this way it is single ikat; when both the lengthwise and the crosswise threads are, it is double ikat, slower and harder, since the two patterns must meet exactly.

Western Odisha: Sambalpuri bandha and Pasapalli

A Sambalpuri ikat saree with conch, wheel and flower motifs in red, black and white (AI image)
Sambalpuri bandha: the conch, wheel and flower motifs, with the soft edges of ikat. AI image.

The weaving villages of Bargarh, Sambalpur, Subarnapur (Sonepur), Boudh and Balangir make the cloth most people mean by "Odisha handloom". Sambalpuri Bandha sarees and fabrics are a registered Geographical Indication.

  • Sambalpuri bandha: cotton or silk ikat, with motifs such as the shankha (conch), chakra (wheel) and phula (flower), and borders in strong reds, blacks and whites.
  • Pasapalli: a check pattern of small squares, named after pasa, the board game it resembles.
  • Sonepur: the district is known for fine silk and for weaving Bomkai designs as well.
A Pasapalli saree with black and white checks and a red border over a loom (AI image)
Pasapalli: small ikat squares, named after the board game pasa. AI image.

Ganjam: Bomkai and Berhampuri Patta

The red and black woven border of a cream Bomkai saree (AI image)
Bomkai: the design is woven into the border and the end piece with extra threads. AI image.
  • Bomkai: named after a village in Ganjam district. Its mark is the extra-weft work: designs woven into the border and the end piece (anchal) with extra threads, such as fish, temple and flower shapes, often on a plain or ikat body. Bomkai sarees and fabrics are a registered Geographical Indication.
  • Berhampuri Patta: silk from Berhampur, known for the phoda kumbha border, a row of temple-shaped triangles. Berhampuri Patta is a registered Geographical Indication.

Around Cuttack and Jajpur: Khandua and Gopalpur tussar

Folded silk ikat sarees in saffron and red beside hanks of gold tussar yarn (AI image)
Silk ikat in saffron and red, and hanks of tussar, the wild silk with its own gold colour. AI image.
  • Khandua: silk ikat from Nuapatna and the villages around it in Cuttack district. It is woven for Jagannath, in some cloths with lines of the Gita Govinda worked into the pattern, as well as for people's own sarees.
  • Gopalpur tussar: from Gopalpur in Jajpur district, woven from tussar, a wild silk with a natural gold-brown colour and a slightly rough feel.

Kalahandi: Habaspuri

Habaspuri cotton, named after Habaspur in Kalahandi district, carries kumbha (temple), fish and flower motifs in extra-weft work on the border and the body. It is a registered Geographical Indication.

Koraput: Kotpad

Maroon, brown and off-white Kotpad cloth beside aal roots and a pot of natural dye (AI image)
Kotpad: cotton dyed with the root of the aal tree, in maroon, brown and off-white. AI image.

Kotpad, in Koraput district, weaves cotton dyed with natural colours only. The deep red-brown comes from the root of the aal tree, and black is added in the same way, so a Kotpad cloth usually reads as maroon, brown and off-white with bold, thick motifs woven in. The saree and the shawl-like cloths worn in the surrounding communities are the best-known pieces. Kotpad handloom is a registered Geographical Indication.

Natural dyes can bleed in the first washes, which is part of the cloth, not a fault; wash it alone in cold water the first few times.

Tribal cloth of the southern hills

The hill communities of southern Odisha have cloth of their own. Dongria Kondh women of the Niyamgiri hills embroider the kapadaganda shawl, and many communities weave on small looms at home. The Tribal Museum in Koraput town shows this cloth with the ornaments and tools that go with it.

The weaves side by side

Odisha handloom by region
WeaveRegionFibreHow the pattern is made
Sambalpuri bandhaWestern OdishaCotton, silkIkat: yarn tied and dyed before weaving
PasapalliWestern OdishaCotton, silkIkat checks
BomkaiGanjam, SonepurCotton, silkExtra threads woven into the border and end piece
Berhampuri PattaGanjamSilkTemple-shaped border
KhanduaCuttack districtSilkIkat
Gopalpur tussarJajpur districtTussar silkWoven from naturally gold wild silk
HabaspuriKalahandiCottonExtra-weft motifs
KotpadKoraputCottonNatural dyes, woven motifs

Telling handloom from powerloom

  • Ikat edges: on handloom bandha the edges of the motifs are softly blurred, and the pattern shows almost the same on the back. A printed copy has sharp edges and a pale back.
  • Small irregularities: slight changes in the weave and the colour are a sign of hand work.
  • The label: look for the Handloom Mark, or a Geographical Indication label on GI-tagged weaves.
  • Where you buy: Boyanika, the Odisha State Handloom Weavers' Co-operative Society, sells handloom from across the state.

Caring for handloom

  • Dry-clean silk, at least the first time.
  • Wash cotton by hand in cold water, alone for the first few washes, and dry it in the shade.
  • Fold silk sarees in a different place now and then, so the folds do not wear through.
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